http://xanshian.com/reverie daily 0.75 2018-03-09 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151932203-A62ED7PRRLYDK40SZCNH/20_InstallationViews.jpg Rêverie, Projet Pangée. Group exhibition with works by Michelle Bui, Laura Findlay and Xan Shian. Curated by Joani Tremblay and Julie Côté at Galerie Projet Pangée, Montreal, Canada. 2017.   https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151932203-A62ED7PRRLYDK40SZCNH/20_InstallationViews.jpg Rêverie, Projet Pangée. Group exhibition with works by Michelle Bui, Laura Findlay and Xan Shian. Curated by Joani Tremblay and Julie Côté at Galerie Projet Pangée, Montreal, Canada. 2017.   https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151954428-Z7B714EMUH27IP0209JB/21_XanShian_ABedroomFullOfLight_colourpprintontransparency_2017.jpg Rêverie, Projet Pangée. A Bedroom Full of Light. Xan Shian. 44 x 60 in. Colour Inkjet print on transparency. 2017. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151933968-X94P6JF6EFJCSAZBANLN/15_XanShian_Epyllia_colourpprintontransparency_2017.jpg Rêverie, Projet Pangée. Epyllia. Xan Shian. 30 x 44 in. Colour Inkjet print on transparency. 2017. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151911181-3HMAYXQZZBODFMJFCIKU/14_InstallationView.jpg Rêverie, Projet Pangée. Exhibition view. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151975167-9KFJ7G8H3223671ZWYX5/04_XanShian_Saltspring_colourpprintontransparency_2017.jpg Rêverie, Projet Pangée. Saltspring. Xan Shian. 30 x 44 in. Black & white Inkjet print on transparency. 2017. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151950855-IMZIKD0B2L8VJV00LJD8/02_InstallationView.jpg Rêverie, Projet Pangée. Exhibition view. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151966796-LFBZV1J850RZIA5N6JJ6/03_InstallationView.jpg Rêverie, Projet Pangée. Exhibition view. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151982443-LFIA5P9SOMD1FA2PHSEF/06_XanShian_Drifters_colourpprintontransparency_2017.jpg Rêverie, Projet Pangée. Drifters. Xan Shian. 20 x 24 in. Colour Inkjet print on transparency. 2017. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151991166-VSD1BDAAGW48MY991ZOU/07_InstallationView.jpg Rêverie, Projet Pangée. Exhibition view. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516152004159-I69EZ7I050DARMV1EKSE/10_XanShian_MemoricalFictions_colourpprintontKozopaper_2017.jpg Rêverie, Projet Pangée. Memorical Fictions. Xan Shian. 24 x 28 in. Colour Inkjet print on Kozo paper. 2017. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516152002940-7Q7BM4WWPSXI1GPNHHGO/11_InstallationViews.jpg Rêverie, Projet Pangée. Exhibition view. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1516151913041-R28X3T5ZONY7RLU81S89/12_XanShian_ACuriousObserverOfSpace_colourpprintontKozopaper_2015.jpg Rêverie, Projet Pangée. A Curious Observer of Space. Xan Shian. 24 x 44 in. Colour Inkjet print on Kozo paper. 2017. http://xanshian.com/projects daily 0.75 2015-08-25 http://xanshian.com/the-lind-prize-2020-shortlist-exhibition daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804381495-0ZDRWMPC9BX1HC5RN0KE/Xan+Shian+-+1.jpg The Lind Prize 2020 (shortlist exhibition) One day threads before to after explores what it means to make distance visible; of the division between presence and absence; of water as offering the tactility of space. The hollow of a container keeps and shapes the material around it. Within places, questions unfold: what does it mean to hold a moment in the shape of my body, in its coded gestures? What is it to say that material, like the body, holds memory in form, and that this memory becomes what we return to? The salinity of the human body mimics the salinity of the oceans—attuned, receiving. I bury my belongings in salt to remove residues of harm, but when I bury my body in salt, do I forget how I have been harmed? Light flicks across water, changing its surface; the distance between water and light as infinite, disappears then returns. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804381495-0ZDRWMPC9BX1HC5RN0KE/Xan+Shian+-+1.jpg The Lind Prize 2020 (shortlist exhibition) One day threads before to after explores what it means to make distance visible; of the division between presence and absence; of water as offering the tactility of space. The hollow of a container keeps and shapes the material around it. Within places, questions unfold: what does it mean to hold a moment in the shape of my body, in its coded gestures? What is it to say that material, like the body, holds memory in form, and that this memory becomes what we return to? The salinity of the human body mimics the salinity of the oceans—attuned, receiving. I bury my belongings in salt to remove residues of harm, but when I bury my body in salt, do I forget how I have been harmed? Light flicks across water, changing its surface; the distance between water and light as infinite, disappears then returns. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804579375-ZN0L80T32D4SKU52VD43/Xan+Shian+-+9.jpeg The Lind Prize 2020 (shortlist exhibition) Xan Shian, The distance between water and light, 2019, video projected on glass sheet, 3:49 looped. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804532903-Z3UATPC8ZRQHFMFYITJW/Xan+Shian+-+7.jpeg The Lind Prize 2020 (shortlist exhibition) Xan Shian, Photograph of my hands cupped around a small frog, Doon Hill, Aberfoyle, 1999/2019, scan of photograph taken by my father (M.E.), inkjet print on archival paper soaked in seawater, salt residue. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804463246-24YPVEYKQWSA88VAWXHR/Xan+Shian+-+5.jpg The Lind Prize 2020 (shortlist exhibition) Xan Shian, Pearl found in my mouth while eating a mussel, 2019, inkjet print on archival paper soaked in seawater, salt residue. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804587120-18MO138CJOV2N3H9LUWY/Xan+Shian+-+4+copy.jpg The Lind Prize 2020 (shortlist exhibition) Xan Shian, To make distance visible (clay), 2020, slip cast mussels from harvested clay. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804451506-4HVKV6PLOG6X32YLAA96/Xan+Shian+-+3.jpg The Lind Prize 2020 (shortlist exhibition) Xan Shian, To make distance visible (Beithir), 2020, (found objects), steel hoses, tubing. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1588804417671-ZTWQERYJ3KP6CACCWE9I/Xan+Shian+-+2.jpg The Lind Prize 2020 (shortlist exhibition) Xan Shian, To make distance visible (salt), 2019, (found objects) steel sheet, ceramic jug and bowl filled with seawater, continuous process, salt residue. http://xanshian.com/only-those-who-travel-as-waves daily 0.75 2021-12-13 https://static1.squarespace.com/static/56169b95e4b083502323a9d2/t/61b6ed4c3a90e76bd2883cdc/1591837323881/ Only those who travel as waves https://static1.squarespace.com/static/56169b95e4b083502323a9d2/5ee1826547b8eb310df1dc04/5ee1828b1700685b240afa13/1591837323881/ Only those who travel as waves https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1591991742789-AOX5JDZTL9K4VF0MGLW2/TMax100_0520_018-copy+%281%29.jpg Only those who travel as waves https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1591992494687-LSVFZB0HFQWUI80A8A0N/mamiyasunday022+copy+sm.jpg Only those who travel as waves http://xanshian.com/corrosion-erosion daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1594513066584-BWUMHBHV3XLJXZWG20LL/To+make+distance+visible_ii_steel.jpg Corrosion | erosion https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1594513066584-BWUMHBHV3XLJXZWG20LL/To+make+distance+visible_ii_steel.jpg Corrosion | erosion https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757478324-K6Y8EB5RRBA9O94ETXHZ/On+marking+the+tide+where+I+first+touched+the+sea_XS_2020.jpg Corrosion | erosion https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757446742-JUJ7OMR2HPXE9KE3TXIJ/_DSC4296_HiRes.jpg Corrosion | erosion https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757137133-Y7BO14N4HRXGPB9Z0CO1/_0009871.jpg Corrosion | erosion http://xanshian.com/sian-sain daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619674672965-0A7CFS405OHCQ1PUW3BV/image-asset.png Sian | Sain - sian sain sea I return to hutchinson cove to film the sea, but the tide is out and the wind is strong. I wander the shore which juts in its familiar ways, clamber the sloping rocks to a log that stretches across their peaks, joining them over a small gully. They have always been there, to my memory. This is the first place I encountered the sea, as a small child. So much has changed now, but the nuances of this shoreline I know deep inside my body. The tide is as far out as it can be, and we walk across the wet sand and mud to the cliffs we used to swim to. My parents huddle out of the wind near the mouth of Veitch Creek, a salmon bearing steam that runs into the cove. I thread my footsteps along the water's edge, tracing something I can’t quite name. Nothing here is how it’s supposed to be. They are building a highway through the bottom of our old place, fifty feet from the home my parents built alongside my grandfather—a carpenter whose sturdy hands constructed the walls and floors, as well as my fifth-grade bridge making project. The home with the room my granny died in when I was two and a half, where she came from Scotland with six weeks to live; where my parents were married, where I was christened with a verse from the Carmina Gadelica, and named with a blessing written by my godfather, the witch. A home of ceremony. The graveyard we populated, with two dogs, two cats and a doe we found under the porch, has a highway survey line through it. A dozen or so feet along the banks of the gully is where my parents came back one night to bury the cat Zipper. She too will become part of the highway. But what remains to mark our lives? It begins to rain and my parents return to the car to wait. I wander back and forth, film things that don’t feel important, long for the sea to come coursing in to me. Around the rocks, where a newer path head begins, lies an old rusted out marine buoy. Enormous and now part of the landscape, it has been there as long as my memory allows, or close to it. I used to stand on top of it but its fragile body will no longer hold my weight. Instead I film its stillness like a long, unending photograph. I wait for something to emerge or transform. The wind shuffles the grasses behind it and I film them too. My body remembers the shapes of this place, but my memory of what used to be has distanced me from it. Perhaps as a means of preserving. Leaving this place was the loss of an inner language, orientation and an emptying I can never refill. The sounds and smells are specific to here, the ghosts of those I have loved, still here. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619674672965-0A7CFS405OHCQ1PUW3BV/image-asset.png Sian | Sain - sian sain sea I return to hutchinson cove to film the sea, but the tide is out and the wind is strong. I wander the shore which juts in its familiar ways, clamber the sloping rocks to a log that stretches across their peaks, joining them over a small gully. They have always been there, to my memory. This is the first place I encountered the sea, as a small child. So much has changed now, but the nuances of this shoreline I know deep inside my body. The tide is as far out as it can be, and we walk across the wet sand and mud to the cliffs we used to swim to. My parents huddle out of the wind near the mouth of Veitch Creek, a salmon bearing steam that runs into the cove. I thread my footsteps along the water's edge, tracing something I can’t quite name. Nothing here is how it’s supposed to be. They are building a highway through the bottom of our old place, fifty feet from the home my parents built alongside my grandfather—a carpenter whose sturdy hands constructed the walls and floors, as well as my fifth-grade bridge making project. The home with the room my granny died in when I was two and a half, where she came from Scotland with six weeks to live; where my parents were married, where I was christened with a verse from the Carmina Gadelica, and named with a blessing written by my godfather, the witch. A home of ceremony. The graveyard we populated, with two dogs, two cats and a doe we found under the porch, has a highway survey line through it. A dozen or so feet along the banks of the gully is where my parents came back one night to bury the cat Zipper. She too will become part of the highway. But what remains to mark our lives? It begins to rain and my parents return to the car to wait. I wander back and forth, film things that don’t feel important, long for the sea to come coursing in to me. Around the rocks, where a newer path head begins, lies an old rusted out marine buoy. Enormous and now part of the landscape, it has been there as long as my memory allows, or close to it. I used to stand on top of it but its fragile body will no longer hold my weight. Instead I film its stillness like a long, unending photograph. I wait for something to emerge or transform. The wind shuffles the grasses behind it and I film them too. My body remembers the shapes of this place, but my memory of what used to be has distanced me from it. Perhaps as a means of preserving. Leaving this place was the loss of an inner language, orientation and an emptying I can never refill. The sounds and smells are specific to here, the ghosts of those I have loved, still here. https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619674580339-FECMB5NULCYZM48FHZFP/image-asset.octet-stream Sian | Sain http://xanshian.com/coordination-complex-diagram-enclosed daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619668910103-7DCF90C5HRP2ADQ2Y2AQ/Body+from+a+series+of+irreversible+reactions_XS_2020.jpg Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619668910103-7DCF90C5HRP2ADQ2Y2AQ/Body+from+a+series+of+irreversible+reactions_XS_2020.jpg Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619673164223-QNPQI719T06WO3SFLYHJ/a+dcent+image+IV.jpg Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619668922374-GHFQ8VMEFFW3GBX224M2/Selkie_body+from+a+series+of+irreversible+reactions_XS_2020.jpg Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619669081730-HIP8JLCQCWVZ2EF22WV6/Xan_8.png Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619669046776-UIISTMUCYA7LI3V875NS/Xan_5.png Coordination Complex (diagram enclosed) https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619672398964-FVCM33Z03GSY46V88PW4/a+dcent+image.jpg Coordination Complex (diagram enclosed) http://xanshian.com/mo-anart-bais-dress-for-the-dead daily 0.75 2022-12-23 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619673765407-Q2ZC7TRVXYBO1QBSC801/image-asset.jpeg Mo anart-bàis | dress for the dead - washing the shroud in the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619673765407-Q2ZC7TRVXYBO1QBSC801/image-asset.jpeg Mo anart-bàis | dress for the dead - washing the shroud in the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619673866941-Z2URM445245SXYJRQK6Z/IMG_20210409_160633.jpg Mo anart-bàis | dress for the dead https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812665212-BRPNEIUFIMMRINVZNQYE/_DSC4259_LoRes.jpg Mo anart-bàis | dress for the dead photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757641611-NHG5MVLKMFFT0ZINKC7K/2021-10-29+Proof+27+24.jpg Mo anart-bàis | dress for the dead https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757643654-RRPWMWXEF4RDQ8VDOH31/2021-10-29+Proof+27+26.jpg Mo anart-bàis | dress for the dead https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619666952546-DV78JUFH5HUOJWOJ0N62/IMG_20210331_154815.jpg Mo anart-bàis | dress for the dead http://xanshian.com/on-marking-the-tide-where-i-first-touched-the-sea daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619725387319-MHD2E354XGW2V5ODTHY2/on+marking+the+tide_edited_no+shadow.png On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619721019169-D7029K7H4GVXMTTQJCYQ/on+marking+the+tide_edited.png On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619725387319-MHD2E354XGW2V5ODTHY2/on+marking+the+tide_edited_no+shadow.png On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619719633255-WAUHRX7YD9NQ33LWXWJ4/On+marking+bodily+encounters_place_XS_2020.jpg On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619720978885-G7FWZQFVO85FX80UL3X3/on+marking+the+tide_edited.png On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619720580060-MUEZCTJWHPLC5B2B14EZ/on+marking+the+tide_edited.png On marking the tide where I first touched the sea https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1619720294551-S10X3KL6WMI3SUHWKJ3O/on+marking+the+tide_edited.png On marking the tide where I first touched the sea http://xanshian.com/fata-morgana daily 0.75 2021-12-13 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812366059-H8UQZ7ITBRIOZRXD2HX6/_DSC4271_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812282147-DEJWHESLW3RUB50EQ9JD/_DSC4268_LoRes.jpg Fata Morgana documentation photographs by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812203781-ERX7UVTVKXKZ64FDTSHI/_DSC4279_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812199627-9K23MUI1SM2EJYZPCY1O/_DSC4273_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812210501-YLG9L1OEF28EJX5CIBL2/_DSC4290_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812209014-SVC2WDLPV436YNGTHJQG/_DSC4288_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812207400-VATOLG0QZ3TKM5F83Q7K/_DSC4286_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812366059-H8UQZ7ITBRIOZRXD2HX6/_DSC4271_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812195849-YJC1CIIRGWFF8K0O5ITP/_DSC4267_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812185835-W5UF9T8AWSHGBJSBPQY1/_DSC4258_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812191079-OMESUWET4MIDPQVQI8XK/_DSC4263_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812188131-TQRBPNKHE3S2GD8GY35A/_DSC4261_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812285289-4OX7DYOW3QTEMZF9MWL1/_DSC4265_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812510877-DFYZMYDAL1IVG071XWZF/_DSC4278_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812290833-8SSUUYBQMFGI7XH5S74M/_DSC4283_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812216610-PGST8HX3AS5I57EQXFZQ/_DSC4297_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812212772-YIXVQCKJQ5OLQJKNEJ5L/_DSC4292_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1626812216492-FO0Q3SQSNMIQB1NKTENG/_DSC4298_LoRes.jpg Fata Morgana photograph by Alejandro A. Barbosa, 2021 http://xanshian.com/untitled-folk-metaphysics daily 0.75 2021-12-13 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378807158-J95D7TWPF8HFMAD82UYA/_DSC4271_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378807158-J95D7TWPF8HFMAD82UYA/_DSC4271_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378843861-Q0S10ULF4JVJVGOP6RGK/_DSC4297_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378782622-RN17G3D0V88SEHCNSMND/_DSC4263_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378787149-EKPK36P5N0O64XE1JV7Z/_DSC4261_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378804394-1A2410PVV5KJ99IFLB9P/_DSC4267_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378828717-EQV4T7XQ7JM095ZANEHT/_DSC4288_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1639378824612-DFEWI1B5BXI33LZ87VQT/_DSC4290_HiRes.jpg Untitled | folk metaphysics photograph by Alejandro A. Barbosa, 2021 http://xanshian.com/nereis-brandti daily 0.75 2022-08-26 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1661555031781-F60KJWF2E3A3JUYYNUNT/image-asset.jpeg Nereis brandti https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1661555031781-F60KJWF2E3A3JUYYNUNT/image-asset.jpeg Nereis brandti https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1656623541360-42J994K1N85NLMCL7712/image-asset.octet-stream Nereis brandti - Nereis brandti http://xanshian.com/seal-mara daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755723243-KIMOF3PSPJ9H76S7FBTA/_0009867.jpg Seal-mara documentation by Trison Nguyen https://static1.squarespace.com/static/56169b95e4b083502323a9d2/63a4f6f481dad530f138ceea/63a4f721b7e9af051b8c7067/1671755553070/ Seal-mara https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755723243-KIMOF3PSPJ9H76S7FBTA/_0009867.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755722774-QUFD1L8JDZEHXA6KG1US/_0009869.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755740508-G451YSEUY22ZSNFU4X1E/_0009882.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755797765-XJV8KOOLT0HJJ93EBMJJ/_0009894.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755780576-MOI9YDKFU8NVZDYK3TKJ/_0009891.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755780668-SNCDFKDLNQH0ZN8DYHEN/_0009888.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755813854-1O5QFDXAH4R19OFM7GY9/_0009905.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755798780-MZRGPGN14V5XUNR94FRW/_0009901.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671756198578-M1IOCJVVRGFDEU1WYYIM/_0009902.jpg Seal-mara documentation by Trison Nguyen https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671755738525-JOFNONW7O0TOMNX3DXBZ/_0009876.jpg Seal-mara documentation by Trison Nguyen http://xanshian.com/proof-27 daily 0.75 2022-12-23 https://static1.squarespace.com/static/56169b95e4b083502323a9d2/t/63a5015df0451269bbf6e509/1671757713595/ Proof 27 https://static1.squarespace.com/static/56169b95e4b083502323a9d2/63a4ff834527106aea124d90/63a4ff91de89406df1a0a33f/1671757713595/ Proof 27 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757742958-F5P3ELAIF7FWC7XI614O/2021-10-29+Proof+27+21.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757733097-Y7WFJN17SX64AFEM9P2H/2021-10-29+Proof+27+17.jpg Proof 27 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757733890-9HH6PLN6EV6BSEQ9NINJ/2021-10-29+Proof+27+18.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757742699-3VSDVCLHDTXN4QVMGUAW/2021-10-29+Proof+27+22.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757747422-EPMZGB3Z2MWANUMZAY6D/2021-10-29+Proof+27+23.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757759805-WWNTN81GDDUHVMXNO4R3/2021-10-29+Proof+27+27.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757752581-R6IT6FG5MTT25NF2A5MH/2021-10-29+Proof+27+25.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757747944-QJRLEDQ6T5RV9C4BK6DM/2021-10-29+Proof+27+24.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671758050469-YK3NT7W53YRSP6E3TMZE/2021-10-29+Proof+27+17.jpg Proof 27 documentation by Darren Rigo https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1671757756675-BGZ8DWBPA796Q1AAQLES/2021-10-29+Proof+27+26.jpg Proof 27 documentation by Darren Rigo http://xanshian.com/iii daily 0.75 2025-03-21 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/1591993839944-STKTG6UZNAA0YQWQFXS1/TMax100_0520_001nosharp.jpg i http://xanshian.com/-xs daily 1.0 2022-07-02 https://images.squarespace-cdn.com/content/v1/56169b95e4b083502323a9d2/f5c1ad7d-7a9a-4223-bc34-6f096719ebc3/Screenshot+%2843%29+contrast.jpg ~xs video still, Nereis brandti (work in progress), 2022.